At
Kunstakademie Dusseldorf Josef Schulz studied under
Bernd Becher and Thomas Ruff, two renowned figures
in German photography. Josef Schulz is a new artist
who has made a contribution in the German contemporary
photography lineage.
If artists who precede him had made icons of modern
society through their photographic works on architecture,
then the rigid and limited form and colour shown in
buildings that are displayed in Josef Schulz¡¯s work
makes us think of painterly work on the buildings¡¯
surface and its lines. The objects shown in his photographic
works are those from a fourth dimension, and here only
the building in its pure form and its setting remain.
Everything which hints the building¡¯s name, the people
who use the building, passing vehicles and time itself
is all removed.
For Josef Schulz, the pressing of the shutter is not
the last. He takes photographs in an analogue method,
and then with digital technology he makes the subjects
in his work to be more structural and abstract. This
method itself is an artistic ¡®act¡¯ and it is only after
going through this process that he believes his work
can be regarded as a perfect piece of art work.
In the artist¡¯s photographic works, nothing of the documentary
and informative role can be seen. In contrast he throws
the question of the ¡®reality/truth¡¯ behind photography
and he stresses the importance of the use of digital
processing. The real architectural images become unreal
as it is passed through digital process. For the artist,
this process is also a solution to how he can include
his creativity, sentiments and philosophy |