As
the first gallery in Korea to adopt the professional
photography gallery system and the responsibility that
comes with the title, we've prepared a long-term project
which will take the viewers into the history of photography.
As the first exhibition of this project, we've self-organized
the exhibition under the title, "Photography's
Turning Point: Alfred Stieglitz and Camera Work".
We will continue to put in efforts to deliver educating
and meaningful programs through important exhibitions.
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Introduction |
Exhibition 1 |
Photography's Turning Point : Alfred Stieglitz
and Camera Work
9. 3 - 10. 15. 2005 |
Exhibition 2 |
Pictorial Photography to Straight
Photography :
Alfred Stieglitz, Edward Steichen, Paul Strand,
Ansel Adams and Edward Weston
10. 22 - 11. 27. 2005 |
Sponsor |
United States Embassy, Seoul, Republic of Korea
Embassy of the Grand - Duchy of Luxembourg
Goethe- Institut Seoul
Ministry of Culture and Tourism
The Korean Culture and Arts Foundation
Bar n dining |
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Alfred Stieglitz(1864-1946) was born in New Jersey
in 1864. He's earned a title, 'Father of Modern Photography',
by playing main role in improving the status of photography
from the mere pictorial photography copying pictures
to photography as fine art, making photography an independent
art genre.
Alfred Stieglitz created(established) Photo Secession
in Feb. of 1902 to help the artistic side of pictorial
photography be acknowledged. He led the Photo Secession
movement, aimed to recover the pure mechanical 'record-ability'
the photography has, and through it all, called for
the correct understanding of the straight photo based
on photographic reality. Also, he produced Camera Work,
a photography journal that worked as the official bulletin
of the Photo Secession. Camera Work continued its publication
from 1903 to 1917, during which 50 editions were published.
The Camera Work had effects not only on photography
but on the whole 20th century Art culture as well and
it still enjoys the recognition for being the experimental
art review magazine for its continual publications of
the essays and reviews from some of the most influential
intellectuals of the time. It did not only include the
works of Photo Secession photographers but also included
the works of main photographers in Europe such as Frederick
H. Evans and Robert DeMachy. Camera Work also helped
the detailed recording of the trend of pictorial thought
possible by introducing the works of the masters of
European Arts, including Rodin and Picasso, to New York
Art world and had a huge influence on modern art through
it all.
Camera Work is surely the 'Dream Magazine' published
by tipping each photograph printed through the Photogravure
Printing technique onto Japanese tissue by hand. Photogravure
Print, one of the finest photography printing techniques,
is a printing technique in which the photographs are
printed by hand using high quality paper and achival
ink and has a very sensual velvet texture.
With the helps of Edward Steichen, Alfred Stieglitz
opened Gallery 291 on fifth avenuein 1905 and exhibited
a distinct and avant garde-like modern photographs and
art works from Europe and Africa along with the works
of Photo Secession photographers. Gallery 291 is a gallery
that brought the revolution in American art world and
it made a lot of contribution in helping photography
earn acknowledgment as one genre of art.
Through the interior of the exhibition, the Gallery
Lumiere tried to imitate the exhibition of the Gallery
291(Little Gallery) of New York of 1905, which was the
founding location of the modern arts and called by the
nickname, Little Gallery. By exhibiting the original
copy of Camera Work and the vintage photogravure inside
it along with the analogue Vintage Prints that shows
the process of photography from 120 years ago, we will
show the dramatic movement of photography from its beginning
stage as the pictorial photography to the modern photography.
This exhibition will help the audience understand that
the photographs are not only capable of expressing the
facts but that It has a very artistic territory in which
the emotions and characters can be expressed.
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About the photographer |
Alfred Stieglitz (1864-1946)
Edward Steichen (1879-1973)
Paul Strand (1890-1976)
Baron Adolf De Meyer (1886-1946)
Gertrude Ksebier (1852-1934)
Clarence H. White (1871-1934)
Alvin Langdon Coburn (1882-1966)
Joseph. T. Keiley (1869-1914)
Heinrich Kuehn (1866-1944)
W.B. Post (1857-1925)
George H. Seeley (1880-1955)
Annie W. Brigman (1869-1950)
Frederick H. Evans (1853-1943)
Paul B. Haviland (1880-1950)
W.W. Renwick (1864-1933)
Edward Weston (1886-1958)
Ansel Adams (1902-1984)
Alfred Stieglitz (1864-1946)
SELECTED AWARDS
1887 |
London Amateur Photographer |
1896 |
Gold medal, International Exhibition,
Cardiff, Wales |
1924 |
Progress Medal, Royal Photographic
Society |
1940 |
Honorary Fellow of Photographic
Society of America |
SELECTED PUBLICATIONS
Frank, Waldo, et al.
eds. America and Alfred Stieglitz: A Collective
Portrait. 1934. Reprint. Millerton, New York: Aperture,
1979
Bry, Doris. Alfred Stieglitz: Photographer. Boston:
Museum of Fine Arts, 1965
Seligmann, Herbert J. Alfred Stieglitz Talking.
New Haven: Yale University Press, 1966
Green, Jonathan, ed. Camera Work: A Critical Anthology.
Millerton, New York: Aperture, 1973
Norman, Dorothy. Alfred Stieglitz: An American Seer.
New York: Aperture, 1973
Alfred Stieglitz: The Aperture History of Photography
Series. Millerton, New York: Aperture, 1976
Homer,William Innes. Alfred Stieglitz and the American
Avant-Garde. Boston: New York Graphic Society, 1977
Georgia O'Keeffe: A Portrait by Alfred Stieglitz.
Introduction by Georgia O'Keeffe. New York: Metropolitan
Museum of Art, 1978
Naef, Weston J. The Collection of Alfred Stieglitz:
Fifty Pioneers of Photography. New York: Metropolitan
Museum of Art, 1978
Lowe, Sue Davidson. Stieglitz: A Memoir/Biography.
New York: Farrar, Straus, Giroux, 1983
Beyond a Portrait: Photographs , Dorothy Newman
and Alfred Stieglitz. [Exh. Cat. The Philadelphia
Museum of Art]. Millerton, New York and Philadelphia,
1984
Greenough, Sarah. Modern Art and America: Alfred
Stieglitz and His New York Galleries.
Exh. Cat. National Gallery of Art, Washington, D.C.,
2001 |
SELECTED PUBLIC COLLECTIONS
Art Institute
of Chicago |
Boston Museum of Fine
Arts |
Cleveland Museum of
Art, Ohio |
Eastman House, Rochester,
New York |
J. Paul Getty Museum,
Los Angeles |
Kemper Museum of Contemporary
Art, Missouri |
Los Angeles County
Museum of Art |
Metropolitan Museum
of Art, New York |
Minneapolis Institute
of Arts, Minnesota |
Muse d'Orsay, Paris |
Museum of Fine Arts,
Houston |
National Gallery of
Art, Washington, D.C. |
Philadelphia Museum
of Art |
Princeton University
Art Museum, New Jersey |
San Francisco Museum
of Modern Art |
The Jewish Museum,
New York |
Worcester Art Museum,
Massachusetts |
Edward Steichen (1879-1973)
SELECTED AWARDS
1903 |
President's Cup of the Camera Club
of New York
Top prize, Eastman Kodak competition
Special Commendation, Wiesbaden Awards, Germany
First Prize, Portrait Class, Bausch & Lomb Quartercentury
Competition |
1904 |
Best Picture, International Exhibition
at the Hague
(Rodin "Le Penseur", "Victor Hugo") |
1905 |
Two first prizes, Eastman Kodak
competition
First prize, Goerz competition |
1918 |
Chevalier of the Legion of Honor
Medaille d'Honneur des Affaires Etrangres
Distinguished Service Citation |
1931 |
Honorary Fellow, The Royal Photographic
Society of Great Britain |
1937 |
Annual Advertising Awards' Silver
Medal |
1940 |
Art Directors Club medal |
1942 |
Honorary Master of Arts, Wesleyan
University |
1945 |
Art Directors Club Medal (for work
on The Fighting Lady) |
1949 |
U.S. Camera Achievement Award |
1952 |
Popular Photography Magazine Award |
1955 |
Newspaper Guild;the American Society
of Magazine Photographers; the Philadelphia Museum
School of Art; the National Urban League; Kappa
Alpha Mu |
1963 |
Presidential Medal of Freedom from
John F. Kennedy |
1964 |
Certificate of Award, Governor's
Council on the Arts, State of Wisconsin |
1965 |
Certificate of Award, Connecticut
Professional Photographers Association
Lotos Club of New York Award of Merit
Citation, National Council on the Arts and Government
1966 Honorary degree of Doctor of Science, American
International
College at Springfield, Massachusetts
Honorary Degree of Humane Letters, Bard College,
New York
Grand Officer of the Order of Merit
Family of Man Award
1967 Progress Medal of the Photography Society of
America
1968 Museum of Modern Art Special Award for Excellence
White House News Photographers Association Award |
SELECTED PUBLICATIONS
The Blue Ghost. New York:
Harcourt, Brace and Co., 1947
U.S. Navy War Photographs: Pearl Harbor to Tokyo
Harbor. New York: U.S. Camera, 1946
Steichen the Photographer. By Carl Sandburg. New
York: Harcourt, Brace and Co., 1929
Steichen the Photographer. New York: The Museum
of Modern Art, 1961. Distributed by Doubleday &
Company, Inc.
Edward Steichen: A Life in Photography. New York:
Doubleday & Company, Inc., 1963
Edward Steichen: The Early Years. Exhibition catalogue.
Text by Joel Smith. New York: Princeton University
Press in association with the Metropolitan Museum
of Art, 1999
Steichen's Legacy: Photographs 1895-1973. Edited
and with text by Joanna Steichen. New York: Alfred
A. Knopf, 2000 |
SELECTED PUBLIC COLLECTIONS
Art Gallery of New
South Wales, Sydney, Australia |
Cleveland Museum of
Art, Ohio |
Decordova Museum and
Sculpture Park, Massachusetts |
J. Paul Getty Museum
of Art, Los Angeles |
Library of Congress,
Washington, D.C. |
Metropolitan Museum
of Art, NY |
Milwaukee Art Museum,
Wisconsin |
Museum of Fine Arts,
Houston |
Museum of Modern Art,
NY |
National Gallery of
Art, Washington, D.C. |
Norton Museum of Art,
West Palm Beach, Florida |
Smithsonian American
Art Museum, Washington, D.C. |
Whitney Museum of
American Art, NY |
Paul Strand (1890-1976)
SELECTED PUBLICATIONS
Camera Work, no.48, October
1916
Camera Work, no.49-50, June 1917
Lachaise, Gaston. Paul Strand: New Photographs.
New York: The Intimate Gallery, 1929
Photographs of Mexico. Foreword by Leo Hurwitz.
New York: Virginia Stevens, 1940
Newhall, Nancy. Paul Strand: Photographs 1915-1945.
New York: The Museum of Modern Art, 1945
Time in New England. With Nancy Newhall. New York:
Oxford University Press, 1950
La France de Profil. Text by Claude Roy. Lausanne:
La Guilde du Livre, 1952
Tir a'Mhurain. Text by Basil Davidson. Dresden:
VEB Verlag der Kunst, 1962
Living Egypt. Text by James Eldridge. Dresden: VEB
Verlag der Kunst, 1969
Paul Strand: A Retrospective Monograph. Millerton,
New York: Aperture, 1971
Ghana, An African Portrait. Text by Basil Davidson.
Millerton, New York: Aperture, 1975
Paul Strand: Sixty Years of Photographs. New York:
Aperture Inc., 1976
Un paese vent'anni dopo. Text by Cesare Zavattini.
Torino: G. Einaudi, 1976
Adams, Robert. Paul Strand: Essays on His Life and
Work. New York: Aperture, 1987
The Transition Years: Paul Strand in New Mexico.
Tucson: University of Arizona Press, 1989
Greenough, Sarah. Paul Strand: An American Vision.
New York: Aperture Foundation in association with
the National Gallery of Art, Washington, 1990
Haworth-Booth, Mark. Paul Strand. Paris: Nathan
Image, 1990
Duncan, Catherine. Paul Strand: The World on my
Doorstep 1950-1976. New York: Aperture, 1994
Un Paese. Text by Cesare Zavattini. Turin: Giukio
Einaudi, 1955. Reprinted by Aperture, 1997
Hambourg, Maria Morris. Paul Strand: Circa 1916.
Exhibition catalogue. New York: Metropolitan Museum
of Art, 1998. Distributed by Harry N. Abrams, Inc.,
NY |
SELECTED AWARDS
1963 |
Honor Roll of the American Society
of Magazine Photographers, NY |
1967 |
David Octavius Hill Medal, Gesellschaft
Deutscher Lichtbildner,
Mannheim, Germany |
1970 |
Swedish Photographers Association
and Swedish Film Archives Award |
SELECTED PUBLIC COLLECTIONS
Art Institute of Chicago,
Chicago, Illinois |
Baltimore Museum of
Art, Baltimore, Maryland |
Birmingham Museum
of Art, Birmingham, Alabama |
Center for Creative
Photography, Tucson |
Cleveland Museum of
Art, Cleveland, Ohio |
Fogg Art Museum, Cambridge,
Massachusetts |
George Eastman House,
Rochester, NY |
High Museum of Art,
Atlanta, Georgia |
Indiana University
Art Museum, Bloomington, Indiana |
International Center
of Photography, NY |
J. Paul Getty Museum
of Art, Los Angeles, California |
Kunsthaus, Zrich,
Germany |
Metropolitan Museum
of Art, New York, New York |
Minneapolis Institute
of Arts, Minneapolis, Minnesota |
Museum of Fine Arts,
Boston, Massachusetts |
Museum of Fine Arts,
Houston, Texas |
Museum of Modern Art,
New York, New York |
Museum of Photographic
Arts, San Diego, California |
M.H. de Young Memorial
Museum, San Francisco, California |
National Gallery of
Art, Washington, D.C. |
National Portrait
Gallery, Washington, D.C. |
New York Public Library,
NY |
Philadelphia Museum
of Art, Philadelphia |
Saint Louis Art Museum,
Saint Louis, Missouri |
San Francisco Museum
of Modern Art, San Francisco, California |
University Art Museum,
University of New Mexico, New Mexico |
Victoria & Albert
Museum, London |
Whitney Museum of
American Art, New York, New York |
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Images |
** All Images are under copyright.
(Click on the image to see
the big size image.)
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Exhibition Info |
Programs
Lecture One
Saturday Sep. 24, 7-9 pm
Sunday Sep. 25, 7-9 pm
Alfred Stieglitz and Camera Work
- Photogravure-
By Professor Chu- ha Chung Lecture Two
Saturday Oct. 29, 7-9 pm
Sunday Oct. 30, 7-9 pm
Pictorial Photography to Straight Photography
By Professor Jae- Gu Lee
At Gallery Lumiere's Beautiful Terrace with
wine or tea
If interested, please call for reservation and more
information.
02- 517-2134/ 2176 |
Gallery Hours
Tuesday-Sunday 10:30 am-19:00 pm
(Closed on Mondays) |
Admission Fees
General Public 5,000 won,
Students(with ID) 4,000 won
People over 65, Handicapped people Free |
Gallery talks
Tuesday-Sunday 1, 3, 5 pm (in Korean)
Saturday-Sunday 4 pm (in English) |
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